Handmade Ceramics · Est. 2022

Vessels shaped slowly, by hand.

Original stoneware and porcelain — wheel-thrown or hand-built, then trimmed and glazed in small batches. Each piece carries the quiet marks of the hand that made it.

View the Work Commission a Piece
Hand-painted lavender bowl by Rebecca West Remmey
Collections

By season, by hand

Each collection is released in a limited seasonal run. Every piece is one of a kind — when it's gone, it's gone.

Fall / Winter 2025
Available Now

A winter series thrown in Williamsburg, Brooklyn — marbling “Brooklyn Red” clay with a Laguna white, the two bodies wedged together so every piece carries its own drifting grain, no two alike. Each is finished in a zinc-free clear glaze.

In the studio in Williamsburg, Brooklyn: throwing the marble — “Brooklyn Red” clay with a Laguna white — and the full series lined up for the bisque kiln.

The same pot — raw off the wheel, then glazed after the kiln. The natural marble grain runs right through the clay, locked under a zinc-free clear glaze.

More from the series

Sold — and settled into its new home.

Spring / Summer 2026
Available Now

Hand-painted pieces worked from rice-paper transfers and brushwork — underglaze and stroke-and-coat, painted by hand and sealed beneath a zinc-free clear glaze.

Piece L444 — hand-painted lavender bowl by RWROn Hold
Piece L444

Hand-painted lavender, a peacock-glazed interior

Small-batch stoneware, hand-painted with trailing stems of lavender and finished in a zinc-free clear glaze — it deepens the pinks and purples and locks them under glass. Inside, the Running Hot Chowder (RHC) glaze is drawn in lines that open like peacock plumage — pink pooling into violet and blue as it radiates from the well. One of a kind, and the larger of a near-identical pair.

L444 lavender exterior and glazed rim L444 reactive-glazed interior L444 glaze detail
Piece L222 — hand-painted lavender bowl by RWROn Hold
Piece L222

The oval twin, in peacock

The shorter, oval-mouthed sister to L444 — the same hand-painted lavender beneath a zinc-free clear glaze. Here the Running Hot Chowder (RHC) glaze is worked in circles laced through the lines, so the peacock blooms differently than its twin — pinks and violets breaking into blue from the well. A near-identical pair, each interior its own.

L222 lavender exterior with pink glazed interior L222 peacock-glazed interior from above L222 peacock glaze detail
Fall / Winter 2026
Coming Soon

The next collection drops this fall. Join the list to be first to see it.

Garden Markers
Special Edition · Sold Out

A single, limited run of hand-lettered garden markers — made once, for one season, and never repeated. A small project set apart from the seasonal collections.

A pass across the two sets — a one-time run, made once and never repeated. Every piece has since found a home.

Garden markers — vegetable set (cucumber, avocado, carrot, asparagus, artichoke, rabbits)
Garden markers — set with rabbits, corn, mushrooms, peas, asparagus
Rebecca West Remmey at the wheel in her studio, holding a freshly thrown bowl
The Maker

Working in clay, one piece at a time

Rebecca West Remmey is a ceramicist working in small-batch stoneware in Madison, Connecticut. Drawn to quiet, functional forms, she makes pottery meant to be used every day — the kind of object that becomes more familiar and more loved with time.

Most pieces begin on the wheel; others she builds entirely by hand. From there she paints directly onto the form using rice-paper transfers, then mixes her own colors from underglazes and stroke-and-coats — layering them to build custom depths of color that no two paintings ever share.

— Rebecca

The process by hand: rice-paper transfers, then custom colors mixed from underglazes and stroke-and-coats.

The Process

From clay to keepsake

Slow work, made properly. Each vessel takes weeks from first throw to final firing.

I

Formed

Each piece is wheel-thrown or built entirely by hand from raw stoneware or porcelain, then left to firm before trimming.

II

Glazed

Bisque-fired, then finished in hand-mixed glazes — layered, tested, and chosen for each individual piece.

III

Fired

A final high-temperature firing sets the glaze and hardens the clay into a durable, food-safe finished work.

Inquiries & Commissions

Let's make something

Interested in an available piece, a custom commission, or wholesale for your shop? Send a note and Rebecca will respond personally.

StudioBy appointment · Madison, CT
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Commissions

Past commissions & custom work

Beyond the seasonal collections, a good deal of the studio's work is made to order — custom flower bowls, one-off gifts, and special requests. Here's a look at pieces made for collectors past, and a standing invitation: if you have something in mind, let's make it together.

A hand-built floral bowl — painted by hand in deep browns and greens.
A thrown flower pot — pink gloss within, an “Arctic Blush” crackle glaze outside.
Events

Where to find me

Come say hello in person — here's where my work will be showing.

Bee's Knees Pottery — Fall Member Showcase & Studio Open House, October 3–4
Oct 3–4, 2026 · Showcase

Fall Member Showcase & Studio Open House

Saturday, October 3 & Sunday, October 4 · 10:00am–4:00pm
at Bee's Knees Pottery

A curated showcase of handmade pottery available for purchase. Meet the artists, tour the studio, and enjoy light refreshments. Free and open to the public — all are welcome.

Visit Bee's Knees →
From the Studio

Latest on Instagram

New pieces, works in progress, and behind-the-scenes — updated automatically as I post.
@rwrceramics